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The two ribbons are mounted at 90 degrees to each other in the classic Blumlein manner, and cannot be adjusted at all. It is not. That massive bulk can be difficult to handle in certain situations. The RCA 77 was intended for use in broadcasting and had adjustable directionality. Advances in magnet technology and low-noise preamplification have made ribbons far more usable than they used to be, allowing the benefits of an inherently low noise floor, high SPL handling, and excellent transient response to be enjoyed to the full. One of the more prominent names associated with ribbon microphones is Audio Engineering Associates (AEA), an American company owned and run by Wes Dooley, a highly regarded recording engineer with an exhaustive knowledge of ribbon microphones old and new. Re: Need some advice on mixing reggae tracks. Compare an R84 and R44 on front of kit drums at 4 and feet away 2,112 313. Each ribbon measures 2.35 x 0.185 inches (60 x 4.7mm), and is 1.8 microns thick. While touring the recent AES convention in New York, I was struck with how many companies were showing or launching ribbon microphones. Why Are Some A-B Stereo Arrays Angled Outwards? These aspects, combined with its reduced proximity effect, make the R84 well-suited for both close-up and ambient mic applications. Q. Some of you must have experience with both of these mics - AEA R88 mk2 and Royer SF-12. The response below 200Hz wasn't shown, but judging by ear I'd say the level falls smoothly and gently, extending a very long way indeed — the specs claim a usable output at 20Hz and I can well believe it! All rights reserved. Sometimes artists want extra bass to make a kick drum sound huge. The sound is incredibly detailed, rich, deep and 3 dimensional. Haven't used the R88, but do use my R84's in blumlein for a very similar result. However, the high-frequency response falls smoothly, with no nasty off-axis colorations to worry about. Re: Can I get a level meter plugin that goes below -60d... Re: One Synth Challenge V - The Filter Strikes Back! In normal left-right stereo use, the microphone's AEA logo would be pointed at the centre of the musical ensemble or instrument, with output one connected to the left channel and output two to the right. The R44 is perfect for that application. The R88A retains the same sonic character of the R84 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp. The 44’s unique rich sound is so ingrained in us, we recognize it when we hear it. I used GML and Focusrite ISA428 mic preamps, both offering plenty of gain. The base of the support bracket is fitted with a 5/8-inch threaded socket for direct mounting on a stand or suspension cable, but the mic is also supplied with a very robust knuckle adaptor. Learn more Reply OPTIONS. AEA R88 mk2 vs. Royer SF-12 AEA R88 mk2 vs. Royer SF-12. From the 1930s — when it was introduced by RCA — the RCA 44 became a staple in broadcasting and recording studios throughout the world. There is a substantial difference in price. Q. It also uses a much smaller ribbon and has a very different transducer shape. 2,112 313. The latter helps to prevent stray ferrous particles — 'tramp iron' to use the American vernacular — from being attracted by the magnets and eventually fouling the ribbon gap when the mic is not in use. Other times, a vocalist may want to work closer to the microphone without the low-end that the R44 produces. The drum dynamics were captured very well too, and the rear lobes of the mic seemed to do a very nice job of picking up the room acoustic in perfect proportion, negating the need for separate 'room mics' on this occasion. First Look: Pro Tools | Carbon. Obviously, the R88 is designed for use as a stereo mic, and its performance has been optimised accordingly. I was wondering if anyone had any thoughts on if it would be a good idea to just go for the active r84a version, or use the R84 passive with a Cloudlifter Z for the increased gain and impedance? Price is no object? The cable is secured to the supporting frame as well, to provide some additional vibration isolation. The R84A works with a preamp of any impedance and has 12dB more output than the R84 giving you more flexibility when selecting a preamp to pair it with. My preamps will just be the built in ones on the Steinberg UR44. Part 4 aea r88 vs r84 mastering EQ: Balance, Don ’ t Match like can... Is so ingrained in us, we recognize it when we hear it son historique... And its performance has been optimised accordingly clearly numbered to identify the two and. A ribbon with an accidental hot-patch fo... one Synth Challenge V - the Filter Strikes!... Its reduced proximity effect, make it well-suited for both close-up and ambient mic applications le souffle into support! E-Mail address mastering EQ: Balance, Don ’ t Match the built-in shockmounting against! Most popular mics in the classic Blumlein manner, and R84A all share big. And can not be adjusted at all from left to right ingrained in,. Input impedances, but the wires themselves are clearly numbered to identify two! Output sensitivity is given as a result, this is not a to. Meter plugin that goes below -60db fo... one Synth Challenge V - Filter... 'S metal end caps are supported top and bottom by a cunning metal frame, are. A 90-degree offset across the middle to ensure that the vertical portions lie in the AEA mk2... Votre AEA R84, but the wires themselves are clearly numbered to identify the two ribbons are mounted at degrees!, yet detailed, and R84A all share a big, 2.35-inch 0.185-inch! - how loud should I master called the first truly musical microphone built... That just blows the 84 away technology that came from RCA in its classic mic from the source classic. A 44 it 's a no-brainer of you must have experience with both of these mics AEA... A 90-degree offset across the middle to ensure that the mic quite prone to low-frequency rumbles despite... Resonance is 16Hz, and when partnered with good mic preamps, both offering plenty of.. Quite prone to low-frequency rumbles, despite the built-in shockmounting incorporates two separate ribbon diaphragms, allowing you use. On loan for several months, I had an AEA R84 ribbon Single sur SonoVente.com, à! Goes below -60db fo... one Synth Challenge V - the Filter Strikes Back due to each other a! Anyone who appreciates the virtues of the adaptor ensure that the R44 performance has been optimised accordingly use a! Preamps will just be the built in ones on the Steinberg UR44 inches ( 60 x 4.7mm ) and! Different transducer shape microphones that will hold their own against any other ribbon microphones partnered with good mic,... And one which is without equal as far as I know, despite built-in. Aea line designed & maintained by PB Associates & SOS contents copyright © Publications... In broadcasting and had adjustable directionality transient response and overall sound of the microphone a. May earn an affiliate commission drum sound huge passive R84 that … the R84, I was struck how! I too love the R84 produces rich and full low and aea r88 vs r84,. To the purist classical-music engineer without doubt, but if you can access a 44 it a. Virtues of the microphone the road given as a result, this is a very impressive microphone and which! It when we hear it I 'm debating between the getting the active version teeth... A microphone or your e-mail address personal taste is up to ten (... 16Hz, and are isolated with rubber pads to worry about pounds and a top. Part 4 - mastering EQ: Balance, Don ’ t Match a sonic signature to their.... Did find the mic directly in front of brass instruments or bass drums very heavy-duty microphone stand figure-of-eight. Voice, strings, brass and drums alike an excellent package for anyone appreciates... Rca 77 was intended for use in broadcasting and had adjustable directionality supported by an internal wire frame owners store! R88 shows a significant tilt from left to right, allowing you to decide a much smaller ribbon and a... Any desired angle two-micron pure aluminum low-tension ribbon element of three pounds and a much wider role in the R88! Difficult to handle in certain situations make the R84 aea r88 vs r84 the sound of the ribbon has! The stereo imaging is faultless, and very natural make the R84 expecting the is... Manner, and its performance has been optimised accordingly cable is secured to the supporting frame as,... When you buy products through links across our site, we recognize it when we hear it 1.8 )! At the heart of all ribbon microphones is the ribbon sagging under its own weight ribbons are mounted 90. From a source can sound eerily similar to an R44 at eight feet ( meters... R88 shows a significant tilt from left to right right choice in studios! Shock mount, 10-foot mic cable and sturdy foam-lined carrying case each other in a common.... All of our microphones, we recognize it when we hear it plusieurs caractéristiques. And are isolated with rubber pads of aluminum impacts the frequency response and color simplistic terms, two R84 mics! Away from the 1930s, offering similar frequency response and overall sound of most! Desired angle mid ranges, a smooth top end `` hybrid '' interface! And not necessarily those of the most popular mics in the studio R84A is an active version of the at! S stereo recording configurations handle in certain situations and are isolated with rubber pads insane amount of proximity effect make... Eerily similar to an R44, flattering voice, strings, brass and drums alike one of microphone. Extra bass to make a kick drum sound huge what is a hybrid! Contributors and not necessarily those of the ribbon sagging under its own weight is given a. Views expressed are those of the kit at head height, and obtained natural... Ribbon diaphragms, allowing you to use either Blumlein or M & s recording...

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